Music and Modernism in the Graphic Arts, 1860-1910
Friday March 28, 2008 - Sunday May 25, 2008In the second half of the 19th century, visual artists in Europe looked to poetry and music as models for modern art, an art of increasing ambiguity and abstraction. This exhibition examined the concepts of synaesthesia (the connections among color, sound, and the other senses) and the Gesamtkunstwerk (total art work) in British, French, and German art from 1860 to 1910. Drawn from the Davison Art Center Collection and Special Collections, Olin Library, the exhibition presented more than 40 works by James Abbott McNeill Whistler, Max Klinger, Odilon Redon, Henri Fantin-Latour, and other artists.