SPRING 2025

Energy and Exhaustion

If exhaustion is a state of using up completely, consuming entirely, is the present moment experiencing an exhaustion of (utopian) imagination?  Why is it easier to imagine the most spectacularly catastrophic effects of climate change than to imagine post-growth or degrowth ways of living? Energy and exhaustion are not exclusively an issue of politics, economics, or engineering, but also a concern of culture–of the everyday–and of creative work. How are the arts, humanities, and social sciences grappling with the seemingly unstoppable need for ever-more energy input and the phenomenon of psychic exhaustion due to the relentless turnover rates of production and consumption? The “energy humanities” has tracked the intrinsic yet largely unconscious power of fossil fuels and other kinds of energy in our cultural forms, fictions, and imaginations, but also attempts to open interdisciplinary doors to post-growth ethics and psychoanalysis (the challenge of living with “sustainable” needs, e.g., Kate Soper’s “alternative hedonism”); political economy (the connections between current cultural production and consumption and the fraught politics of energy extraction, processing, distribution, ownership, labor, etc.); and cultural history (as in “quantitative” readings of modernity in terms of energy and exhaustion).  This theme invites enquiries from across the disciplines into the forms of our “exhausting modernity” (Teresa Brennan), past, present, and future, and the prospects of continued living under fractured and unequal conditions of too much and too little energy. 

Lectures 

All lectures begin at 6 p.m. in the Daniel Family Commons unless otherwise noted.  

02/03/2025

On the Natural History of Denial

ULI PLASS • Wesleyan University 

02/10/2025

Making it Home: Single Women and Visions of the Good Life in Television Comedies and Dramadies

ELIZABETH TRAUBE • Wesleyan University 

02/17/2025

Home/Page/Source: What She Wants Me to See

DOUGLAS MARTIN • Wesleyan University

02/24/2025

Flood

SALAR MAMENI • University of California, Berkeley

03/03/2025

Etiology and Revolution: Exhaustion in the Clinical Writings of Frantz Fanon

NICA SIEGEL • Amherst College

03/24/2025 

Apple's Culture Industry

MICHAEL SZALAY• University of California, Irvine

03/31/2025

Getting Warmer? Telling Stories About Climate Change

CHRISTIAN THORNE • Williams College

04/07/2025

Is Counterculture Undead? Digital Fatigue and the Post-Apocalyptic Imagination

Ben Haber • Wesleyan University

04/14/2025

The Earth Explicated

Cameron Hu •  CFH Mellon postdoc; PhD Anthropology; U Chicago

04/21/2025

The Corpse in Two Conflicts

DEVIN CHOUDHURY • CFH Mellon postdoc; PhD Rhetoric; University of California, Berkeley

04/28/2025

At the Ends of Exhaustion, a Door

TUNG-HUI HU •  University of Michigan

05/05/2025

Love Perservering: On Normporn and Grief

Karen Tongson •  University of Southern California, Dornsife

 

Spring 2025: Energy and Exhaustion

If exhaustion is a state of using up completely, consuming entirely, is the present moment experiencing an exhaustion of (utopian) imagination?  Why is it easier to imagine the most spectacularly catastrophic effects of climate change than to imagine post-growth or degrowth ways of living? Energy and exhaustion are not exclusively an issue of politics, economics, or engineering, but also a concern of culture–of the everyday–and of creative work. How are the arts, humanities, and social sciences grappling with the seemingly unstoppable need for ever-more energy input and the phenomenon of psychic exhaustion due to the relentless turnover rates of production and consumption? The “energy humanities” has tracked the intrinsic yet largely unconscious power of fossil fuels and other kinds of energy in our cultural forms, fictions, and imaginations, but also attempts to open interdisciplinary doors to post-growth ethics and psychoanalysis (the challenge of living with “sustainable” needs, e.g., Kate Soper’s “alternative hedonism”); political economy (the connections between current cultural production and consumption and the fraught politics of energy extraction, processing, distribution, ownership, labor, etc.); and cultural history (as in “quantitative” readings of modernity in terms of energy and exhaustion).  This theme invites enquiries from across the disciplines into the forms of our “exhausting modernity” (Teresa Brennan), past, present, and future, and the prospects of continued living under fractured and unequal conditions of too much and too little energy.