I am a scholar of Islamic art interested in the book history and court cultures of Safavid Iran and  Ottoman Turkey. My research explores how manuscripts shape the communities that commission, make, and read them.

Currently, I am working on my first book project, Pictures as Mirrors at the Safavid Court and Beyond. During the first half of the sixteenth century, Iranian monarchs commissioned some of the most richly illustrated manuscripts of Islamic art history in response to intense political and religious turmoil. Against the prevailing tendency to read these illustrations as expressions of a royal patron’s tastes and whims, this project asks, what did these paintings do for the larger society of courtiers, artists, and viewers at a time of change? Taking as a case study Nizami’s Khamsa (ca. 1540s), a medieval Persian romance, my project starts at the Safavid court, and follows this landmark manuscript through its eventual removal to England. Along the way, I explore how the manuscript fashioned a voice for itself to become an agent of change, and how that voice was eventually dampened. Pictures as Mirrors reveals the conditions and limits of a book’s power to transform its viewers in courts, libraries, and imperial museums.