Associated most typically with the European Renaissance, copperplate engraving proved a vital and expansive method of printmaking for numerous artists working after the dawn of the 20th century. Some artists found the deliberate, systematic process of engraving lines, one by one, into copper plates to be a useful method for recording the people and places of their modern world. Others believed that engraving could be a productive process in avant-garde movements like Surrealism. Engraving continues to be practiced today by artists who engage with the technique’s deep history while deriving ever new forms and meaning from it. The exhibition Engraving after 1900: A Technique in Its Time features artwork from the Davison Art Collection, including works by Stanley Anderson, Stanley William Hayter, Dorothy Dehner, Norma Morgan, Anton Würth, Andrew Raftery, Jean-Émile Laboureur, and many others.

Gallery hours: Tuesday through Saturday from 12:30pm to 4:30pm.

This exhibition will be closed from Saturday, March 8 through Monday, March 24, 2025.