Live Performance
To view the archives of past events, please click here.
Music Department Colloquium: Elliott Sharp—Feedback: Translations from the IrRational
Wednesday, November 12, 2025 at 4:30pm
Ring Family Performing Arts Hall
Wednesday, November 12, 2025 at 4:30pm
Ring Family Performing Arts Hall
FREE!
Composer and multi-instrumentalist Elliott Sharp will read selections from his new book from Wesleyan University Press, Feedback: Translations from the IrRational (2025), and employ creative digression to touch upon his current compositional strategies and projects.
Elliott Sharp and Janene Higgins: Entanglement Suite
Wednesday, November 12, 2025 at 8:00pm
Ring Family Performing Arts Hall
Wednesday, November 12, 2025 at 8:00pm
Ring Family Performing Arts Hall
FREE!
Composer and multi-instrumentalist Elliott Sharp returns to Wesleyan for the first time in over a decade to present the North American premiere of Entanglement Suite, his collaboration with projection designer Janene Higgins. The work is a structure for improvisation using video and sound, where the images provide a visual counterpoint to the music.
Marta Becket, Save Us All [NEW TIMES]
Thursday, November 13, 2025 at 7:00pm
Fries Arts Building, 56 Hamlin Street, Middletown, Connecticut
Thursday, November 13, 2025 at 7:00pm
Fries Arts Building, 56 Hamlin Street, Middletown, Connecticut
Marta Becket, Save Us All is a new performance inspired by the life of Marta Becket, a Broadway dancer who left New York at the height of her career, moved into an empty opera house in an abandoned desert town, painted an entire audience on its walls, and performed there for the next 40 years whether anyone was there to watch or not.
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Marta Becket, Save Us All [NEW TIMES]
Thursday, November 13, 2025 at 9:00pm
Fries Arts Building, 56 Hamlin Street, Middletown, Connecticut
Thursday, November 13, 2025 at 9:00pm
Fries Arts Building, 56 Hamlin Street, Middletown, Connecticut
Marta Becket, Save Us All is a new performance inspired by the life of Marta Becket, a Broadway dancer who left New York at the height of her career, moved into an empty opera house in an abandoned desert town, painted an entire audience on its walls, and performed there for the next 40 years whether anyone was there to watch or not.
