Scott W. Aalgaard works on cultural production in modern and contemporary Japan, with particular emphases on popular music and literature. His work addresses geopolitics, political economy, regional and social histories, nationalism, fascism, and disparate modes of protest and critique, among other topics. His first book, titled Homesick Blues: Politics, Protest, and Musical Storytelling in Modern Japan (University of Hawai'i Press, 2023), explores the interplay between music and everyday life, and how music is used by artists, fans, and others to imagine and re-imagine social, political, and cultural life in modern Japan. It is oriented toward understanding the ways in which artists, authors, and individual social actors use music to understand the world, and to envision different possibilities for living in it.

Aalgaard's research also explores the manifestation and utility of sound in literature, and engages with the histories of the Japanese Empire (1869-1945) and its narrative intersections with fleshly bodies. He is interested in the possibilities and pitfalls of storytelling, and how the strategic, tactical conjuring and telling of stories (in various forms, and in different ways) can both serve different modes of power and discourse--and promise to upend them.

Originally from a small, natural resources town on Canada's west coast, Prof. Aalgaard has spent nearly four-fifths of his life coming and going between Canada, Japan, and now the United States. He's a first-generation college graduate, having earned his BA and first MA at the University of Victoria on Vancouver Island. Before commencing doctoral studies at the University of Chicago, Aalgaard worked in agriculture, the non-profit sector, local and federal governments, and even the popular music industry. These diverse experiences gained over many years of living in different places around Japan--from Hokkaido to Fukushima to Tokyo and beyond--have instilled in him a keen interest in the nature and experiences of everyday life, the ways it's navigated, and its challenges confronted and overcome. This attention to what scholars call "everydayness" has become a key factor guiding and shaping Aalgaard's own research interests and academic work, much of which takes place in collaboration with everyday social actors across Japan.